Lovers of movies, today I am with you, and if you are a Robert Pattinson fan, sit tight—we have another watch of him in this new dark sci-fi, Mickey 17. The sci-fi genre has always been one of the most unpredictable concoctions of storytelling. One time, we have the world’s last surviving population confined to a train, endlessly circling the globe to keep humanity alive (Snowpiercer). Another time, we get an alien symbiote that eats people’s brains and replaces their heads with something rather comical (Parasite). And now, thanks to Bong Joon Ho, again, we have Mickey 17—a film about some guy who dies multiple times and gets reprinted like recycled plastic only to die again…it’s for the science, mind you! Welcome to the world of expendables.
What Mickey 17 is All About
Imagine being the designated punching bag for a space colony—constantly sent on deadly missions with the knowledge that when (not if) you die, another version of you will take your place. That’s the life of Mickey Barnes, played by Robert Pattinson, in Mickey 17. The film, based on Edward Ashton’s novel Mickey7, brings a darkly comedic, existential twist to the sci-fi genre.
The story starts on a frozen, inhospitable planet called Nilfheim, where humans are trying to establish a colony, because for some reason, we humans always want to escape the earth in these movies. And Mickey is what they call an “expendable”—a worker who takes on the most dangerous jobs, from repairing lethal machinery to fighting off alien creatures. Each time he dies, a new clone, embedded with his past memories, is printed out to continue the cycle. But things take a turn to the left-hand path when Mickey 17, thought to be dead, returns—only to find that Mickey 18 has already replaced him. Now, with two versions of himself existing at once, you can probably imagine the gist of the movie now. Mickey is forced to fight for his own survival in a system that sees him as nothing more than disposable…
The Plot – A Sci-Fi Thriller with a Twist of Absurdity
Mickey 17 survives on Bong Joon Ho’s signature storytelling—genre-blending, satirical, and thought-provoking. While the movie presents itself as more about survival, I think it does pretty well bring out identity, free will, and the terrifying implications of being “replaceable.” Mickey quickly realizes that being an expendable doesn’t mean he has control over his own fate. As he struggles to hide his existence from the higher-ups while also dealing with the ethical dilemmas of his situation, the film injects moments of humor, existential dread, and unexpected emotion.
Naomi Ackie plays Nasha Barridge, a security agent and Mickey’s love interest, while Steven Yeun takes on the role of Timo, a pilot and Mickey’s childhood friend. Mark Ruffalo and Toni Collette round out the cast as political figures with their own agenda, creating a tense atmosphere where Mickey isn’t just running from himself—he’s caught in a power struggle that maybe goes beyond his expendability.
Critical Reception – Hit or Miss?
Like most of Bong Joon Ho’s films, Mickey 17 has come with plenty of discussion.
- The Good: Many critics praise Robert Pattinson’s performance, calling it one of his most layered roles yet. His ability to balance humor with the darker themes of the film adds depth to the story. The film’s unique premise and Bong’s masterful direction have also been highlighted as standout aspects.
- The Mixed: Some reviewers find the movie’s pacing a bit uneven, with moments of brilliance occasionally overshadowed by overly complex world-building. The movie juggles so many themes—identity crisis, capitalism, cloning ethics—that some feel it loses focus.
- The Not-So-Good: A few critics argue that Mickey 17 doesn’t reach the heights of Snowpiercer or Parasite. They feel it lacks the same biting social commentary and instead leans too much into sci-fi absurdity without a clear payoff.
If you’re a fan of mind-bending sci-fi with existential questions, however, Mickey 17 is right up your alley. It’s dark, funny, and unsettling all at once—a classic Bong Joon Ho cocktail. While it may not be his best work for some, it’s definitely one of the most interesting films of the year. Besides, watching Robert Pattinson die and come back over and over again? That alone is worth the ticket…not in a sadistic way!
